Christopher Georgesco’s sculptures are rooted in Modernism. His father was a renowned architect who was heavily steeped in both the Bauhaus and Modernist Movements – both of which influenced Christopher’s work in many ways. These early influences helped inform his choice of style and materials. He states: “The beauty and complexities of wood, concrete, and steel were ingrained into my aesthetic from a young age. It is hard to dispute Modernism. Less is More. It is timeless. “

The artist’s interests in outer space and Infinity are other important factors in his work. At an early age, he recalls being shocked when he learned the sky did not end, which he says, impacted his working methodology in cyclic ways. He states: “Outer space is what I try to form and activate using the sculptures as the

templates.” Light is another important element brought into his sculptures by way of his use of reflective materials such as stainless steel, or back painting that refracts on the wall.

Georgesco prefers using rectangle shapes over square ones because of their inherent elongated shape which he finds more elegant. He works with a series of forms that are interchangeable in position and scale which continue to evolve and inspire his art practice. When building sculpture, he states: “I know exactly where each piece fits.”