Helen Modjeska Madame
Eric Johnhon "Madame X: Helen Modjeska" Image
Violet Heart
Violet Heart, composite resin, 22 x 18 x 9"
Madame X-birch
Baltic Madame, baltic birch, 44 x 6"
Aqua Clara
Aqua Clara, composite resin, 22 x 18 x 9"
San Joaquin Reveal
Eric Johnson "San Joaquin Reveal" Image
Baltic Sea Scape - SOLD
Eric Johnson "Baltic Sea Scape" Image
Aria Suite
Eric Johnson, Aria Suite Image
Translucent Aqua Aria - SOLD
Eric Johnson "Translucent Aqua Aria" image
Vi-Smith Madame - SOLD
Eric Johnson "Madame X: Vi Smith" Image
 
Helen Modjeska Madame
Violet Heart
Madame X-birch
Aqua Clara
San Joaquin Reveal
Baltic Sea Scape - SOLD
Aria  Suite
Translucent Aqua Aria - SOLD
Vi-Smith Madame - SOLD
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Artist CV

About

Born: 1949 Burbank, California
Education: University of California, Bachelor of Fine Arts, Irvine, Ca
University of California, Masters of Fine Arts, Irvine, CA
Currently lives and works in San Pedro, CA

Inspired by both art and science, Eric Johnson creates composite works of pigment, wood, automotive lacquer, and resin. The handcrafted abstract works are sheathed in resin skins, often revealing glimpses of skeletal armatures and hidden architectures. In reflection, Johnson’s structural forms are influenced by a severe neck injury and dealing with intense spinal pain. Other influences have been the aerospace industry and ancestral boat builder heritage. Initially the constructs hid their “bones” under a “skin”, time capsule artifacts within. Over the past twelve years, the structures have become organic and revealing to their formation. The current work merges the passion for depth and structure with an obsession for color and surface.
Johnson has spent decades working with polyester resin. Like many artists of his generation, Johnson embraced the hot-rod culture of Southern California. He has made customized car bodies for the Porsche 962 and has lovingly overhauled vintage cars-as evidence by the two toned 1939 Chevrolet panel truck and fire engine red 1934 Ford pickup that sit to one side of his studio. As often was the case for many artists working in the 1970s, industrial products found their way into Johnson’s early studio practice and have remained there ever since. “I’ve translated all that automotive knowledge into making my artwork”,” he says. “I use the full array of auto tools and pigments.”
Eric Johnson’s works are included in numerous private and public collections.